“I suddenly had Doug’s voice accessible to me.
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The detailed daily entries were a roadmap for the man who had, day by day, too bad, to make it work and who knows how to keep the love going. Once Alfeld decided to move on, some of the filmmaking gods showed up in the form of 39 magazines that Bennett kept from 1980–89. It would require a lot of vulnerability and a lot of putting myself in front of the camera, two things that I absolutely hate.” It was something like Which I was very opposed to earlier, for what I think are very obvious reasons. “It turned into a POV story, a point of view story where I finally had to accept my relationship with the band and my connection to Doug Bennett was really important in how I could uncover and tell the story.
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“The movie took a very different turn very quickly,” said Alfeld, who was inseparable from Shia Bennett for nearly a decade. Ad 4īut that “easy rock doc” soon became more complicated as Alfeld’s relationship with the Bennett clan became a central part of the story. It should be easy.”Īlfeld had a direct line in the band after becoming the best friend of one of Bennett’s three daughters, when Alfeld’s family moved next door to Bennett in 1992 when she was five years old. I can probably wrap it up in a year, maybe two tops. “People were overjoyed to hear the music again and ask me questions about the band so I thought I could make a simple rock doc about the band the boys are interesting. “When we premiered the film, we got such a surprising response to the soundtrack,” Alfeld said over the phone from his Vancouver office. article materialĪlfeld decided to make the film, which is the closing piece of DOXA, after he and his producing partner John Bolton received positive feedback for using Doug and Slug music on the soundtrack of their documentary about Harry Rankin, Which is called The Rankine File. This ad hasn’t loaded yet, but your article continues below. It takes a finer look at the complexities of Doug’s life.” Ad 3
“It’s a critical look at the enabling aspects of fame and excess. “Teresa Alfeld creates an intimate biography of the great Vancouver musician and East Van Dade,” said DOXA programming manager Sarah Ouazani. The problem with the Doug and the Slugs and Me documentary is that once you watch it you can’t get those songs out of your mind.ĭirected by Teresa Alfeld of Vancouver, the new film makes its world premiere in Vancouver cinemas from May 5-15, and at the DOXA Documentary Film Festival across Canada. Tickets and information: $13 and $15 or online festival doxafestival.ca. Where: Vancouver’s SFU Goldcorp Center, VIFF Center, The Cinematheque, The Playhouse and Online
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